Elsie Edgerton-Till is a theatre director.
Her extensive theatre experience includes professional directing engagements for Sydney Conservatorium of Music, New Zealand Playhouse, National Institute of Dramatic Arts, The Court Theatre, World Busker’s Festival, The Forge and the New Theatre. As assistant director she has worked for Sydney Theatre Company, Opera Australia, Auckland Theatre Company and Sydney Chamber Opera. This year she was awarded a Glorias Fellowship to travel to the United States and observe with internationally renowned director Francesca Zambello.
Elsie is currently in rehearsals for the premier production of Kit Brookman's The Plant with The Ensemble Theatre. Later this year she will direct Australian premier of Kate Tempest's Wasted for the King's Collective
Recent credits include La Calisto, The Fairy Queen [Sydney Conservatorium of Music], a national tour of Phone A Friend [New Zealand Playhouse], Moira MacKenzie’s Wheel of Fortune [The World Busker’s Festival], Boys, Rausch, The Red Shoes [National Institute of Dramatic Arts], Book of Days [The New Theatre], The Great Piratical Rumbustification, Antarctic Adventure, Goldilocks, The Elves and the Shoemaker, [The Court Theatre], A Midsummer Night’s Dream [The Canterbury Young Shakespeare Company], Punk Rock [International Screen Academy]. She has worked in Australia and Aotearoa as a script assessor and a dramaturge on new work. In 2014 she was an affiliate director with Griffin Theatre.
In her time spent working in professional theatre as an actor, Elsie has appeared widely in productions of new New Zealand works, contemporary comedy, musicals and classics. Performance highlights include The Seagull, Under Milk Wood, Cabaret, The Female of the Species , The Country Wife [The Court Theatre], POE [The Forge], A Midsummer Night’s Dream [The Christchurch Arts Festival]. For many years she was a member of The Court Theatre’s ‘Court Jesters’, the longest running professional improvisational theatre troupe in Australasia.
Elsie is a graduate of the National Institute of Dramatic Arts and holds a BA in English Literature and History from The University of Canterbury.
She teaches acting/directing for the NIDA Open Programme and is a guest lecturer on NIDA's Masters programme.